Apr 2, 2016
end of the Dare!
Completed the TBR Dare yesterday! I read twenty books, but added quite a few new ones to my shelves, so it didn't really clear any space off. I still have several stacks piled on the floor. It was nice to get through them. They were not all keepers, but I didn't abandon any, so at least all were good reads. I think my favorites of the lot were My Weeds- very informative! and Cry, the Beloved Country- a book I'd had for a very long time and am glad I finally read it.
Mar 29, 2016
Mortal Lessons
Notes on the Art of Surgery
by Richard Selzer
This is so different from most other books I've read. It's a surgeon waxing eloquent on the craft and skill of his occupation. He talks about disease in the most interesting way, describes opening the body and moving into its depths to find ailments and organs as if navigating a landscape. Speaks with passion, and respect for the wonders of the human body. It's not really a book of case studies, more a selection of snapshots that show how the surgeon felt about his work, reflections on the meaning of it, looking at how his patients responded to treatment. Or didn't- some of them died under his hands. It is surprisingly, baldly honest- describing in detail many things that are hard to face- an abortion, an amputation, an explorative surgery that goes wrong, the process of embalming or autopsy. I've read a few books about medicine, hospital work, and the like, but never with things described the way they are here.
It's also an old book, and of course outdated in lots of things. Much of it admitting no understanding, no hope for cure, or putting forth mistaken ideas. I was surprised and kind of annoyed that he goes on and on in one chapter about how horrible alcohol is for the liver- and yet spends another chapter extolling his smoking habit. It's illustrated here and there with woodcuts, engravings and lithographs from the Yale Medical Library- they're not dated but give the work a feeling of more antiquity. I saw someone's comment online that this book is funny- but I guess you'd have to be a surgeon yourself to see the humor in it. I found it really interesting. Funny? not so much. The last part of it digresses from the main subject matter. Some short writings describing his childhood, his father's practice. There's an essay on being carsick- something he suffered a lot from as a child- and another rather weird one about birdwatching (which he apparently was not very good at).
And yet for all its flaws, the book was a thing I wondered at. It made me see the inner workings of the body in such a different way. Its words are so vivid, so alive.
Rating: 3/5 219 pages, 1974
more opinions:
Peter Morton's Website
by Richard Selzer
This is so different from most other books I've read. It's a surgeon waxing eloquent on the craft and skill of his occupation. He talks about disease in the most interesting way, describes opening the body and moving into its depths to find ailments and organs as if navigating a landscape. Speaks with passion, and respect for the wonders of the human body. It's not really a book of case studies, more a selection of snapshots that show how the surgeon felt about his work, reflections on the meaning of it, looking at how his patients responded to treatment. Or didn't- some of them died under his hands. It is surprisingly, baldly honest- describing in detail many things that are hard to face- an abortion, an amputation, an explorative surgery that goes wrong, the process of embalming or autopsy. I've read a few books about medicine, hospital work, and the like, but never with things described the way they are here.
It's also an old book, and of course outdated in lots of things. Much of it admitting no understanding, no hope for cure, or putting forth mistaken ideas. I was surprised and kind of annoyed that he goes on and on in one chapter about how horrible alcohol is for the liver- and yet spends another chapter extolling his smoking habit. It's illustrated here and there with woodcuts, engravings and lithographs from the Yale Medical Library- they're not dated but give the work a feeling of more antiquity. I saw someone's comment online that this book is funny- but I guess you'd have to be a surgeon yourself to see the humor in it. I found it really interesting. Funny? not so much. The last part of it digresses from the main subject matter. Some short writings describing his childhood, his father's practice. There's an essay on being carsick- something he suffered a lot from as a child- and another rather weird one about birdwatching (which he apparently was not very good at).
And yet for all its flaws, the book was a thing I wondered at. It made me see the inner workings of the body in such a different way. Its words are so vivid, so alive.
Rating: 3/5 219 pages, 1974
more opinions:
Peter Morton's Website
Mar 20, 2016
Cry, the Beloved Country
by Alan Paton
This is one of those books I picked up at a used sale one day just because I recognized the title as being famous. Then it sat on my shelf for at least eight years. I chose it to read this weekend and was surprised at how intent the story was and how quickly I moved through it.
It is told in two parts. In the first half, a Zulu parson leaves his small, rural village and travels to Johannesburg in search of several family members who have dispersed there. His sister, his son, his brother. The great sprawling city at first bewilders the elderly parson, but even more bewildering and painful is what he discovers of his lost family members- they have each fallen into disreputable ways of making a living. Dispirited, he tracks them down, learning of their troubles and attempting to bring them back home. Some cannot be found, or cannot be recovered, or simply don't wish return. It is with a very heavy heart he returns to his village with fragments of his family and a burden of shame for the crimes his son, in particular, has committed.
Yet on his search through dark corners of Johannesburg and its skirting slums, he met with great kindness and help from strangers. And now, come home again, the parson struggles to help his village. The land is depleted, crops are failing, young people deserting the area, children dying. He carries the shame of his family back with him, and worse yet, discovers that a white man who owns farmland near the village was personally wronged by his son's crime. It is with the deepest sorrow that he admits this relationship to his neighbor. It seems that everything is falling to pieces, when help for the village comes from an unexpected source. I did wish this part of the story was fleshed out more- it interested me to read about the efforts to change farming methods, the villagers' resistance to change and new ideas even when it was obvious the old ways were failing. And while I enjoyed the simple clarity and lyrical writing, was deeply touched by the depiction of forgiveness and compassion between the characters of this story, I was also baffled at moments when the parson expressed anger. Maybe I did not read between the lines enough, but sometimes his responses seemed out of character to me.
It is a very good book, one that is difficult to put down, or stop thinking about.
Rating: 4/5 316 pages, 1948
more opinions:
Worthwhile Books
A Good Stopping Point
Embejo Etc
Vulpes Libres
This is one of those books I picked up at a used sale one day just because I recognized the title as being famous. Then it sat on my shelf for at least eight years. I chose it to read this weekend and was surprised at how intent the story was and how quickly I moved through it.
It is told in two parts. In the first half, a Zulu parson leaves his small, rural village and travels to Johannesburg in search of several family members who have dispersed there. His sister, his son, his brother. The great sprawling city at first bewilders the elderly parson, but even more bewildering and painful is what he discovers of his lost family members- they have each fallen into disreputable ways of making a living. Dispirited, he tracks them down, learning of their troubles and attempting to bring them back home. Some cannot be found, or cannot be recovered, or simply don't wish return. It is with a very heavy heart he returns to his village with fragments of his family and a burden of shame for the crimes his son, in particular, has committed.
Yet on his search through dark corners of Johannesburg and its skirting slums, he met with great kindness and help from strangers. And now, come home again, the parson struggles to help his village. The land is depleted, crops are failing, young people deserting the area, children dying. He carries the shame of his family back with him, and worse yet, discovers that a white man who owns farmland near the village was personally wronged by his son's crime. It is with the deepest sorrow that he admits this relationship to his neighbor. It seems that everything is falling to pieces, when help for the village comes from an unexpected source. I did wish this part of the story was fleshed out more- it interested me to read about the efforts to change farming methods, the villagers' resistance to change and new ideas even when it was obvious the old ways were failing. And while I enjoyed the simple clarity and lyrical writing, was deeply touched by the depiction of forgiveness and compassion between the characters of this story, I was also baffled at moments when the parson expressed anger. Maybe I did not read between the lines enough, but sometimes his responses seemed out of character to me.
It is a very good book, one that is difficult to put down, or stop thinking about.
Rating: 4/5 316 pages, 1948
more opinions:
Worthwhile Books
A Good Stopping Point
Embejo Etc
Vulpes Libres
Mar 14, 2016
Self-Portrait with Turtles
by David Carroll
Naturalist, author and artist David Carroll wrote this memoir telling how he became so passionate about turtles and where they led him. He caught his first turtle at eight years old, wading through creeks and ponds in scant woods near his home, and was enthralled by the reptiles from then on. At first he just spent his time looking for turtles, in later years he learned to identify them and began keeping records of his sightings. He also describes his training in art school, early directions his art took, and how it finally became focused on nature subjects. Became a teacher and often had to move his family, each time searching for a place to live where he could be near unspoiled wetlands, for finding turtles. It seems this became more and more difficult as the years went on. He describes going back to his childhood home and dismay at finding so much changed, the farm he finally settled on, and how he worked to secure and protect habitat for wildlife (especially turtles) around his property and in other areas as well.
While this book wasn't quite as captivating for me because it doesn't have the extent of in-depth, detailed nature writing I so loved in Swampwalker's Journal and Trout Reflections, it is still a good read. I appreciate learning how other people's lives become involved with wild places, and how an artist saw and portrayed nature. And of course, the turtles.
Rating: 3/5 181 pages, 2004
Naturalist, author and artist David Carroll wrote this memoir telling how he became so passionate about turtles and where they led him. He caught his first turtle at eight years old, wading through creeks and ponds in scant woods near his home, and was enthralled by the reptiles from then on. At first he just spent his time looking for turtles, in later years he learned to identify them and began keeping records of his sightings. He also describes his training in art school, early directions his art took, and how it finally became focused on nature subjects. Became a teacher and often had to move his family, each time searching for a place to live where he could be near unspoiled wetlands, for finding turtles. It seems this became more and more difficult as the years went on. He describes going back to his childhood home and dismay at finding so much changed, the farm he finally settled on, and how he worked to secure and protect habitat for wildlife (especially turtles) around his property and in other areas as well.
While this book wasn't quite as captivating for me because it doesn't have the extent of in-depth, detailed nature writing I so loved in Swampwalker's Journal and Trout Reflections, it is still a good read. I appreciate learning how other people's lives become involved with wild places, and how an artist saw and portrayed nature. And of course, the turtles.
Rating: 3/5 181 pages, 2004
Mar 9, 2016
A Gathering of Wonders
by Joseph Wallace
This book is about behind-the-scenes stuff at the American Museum of Natural History in NY. I though it would be just my thing - I love visiting natural history museums- but it wasn't quite. It does have a lot of background stories- how different departments were developed and shuffled over the years, how the vision of the museum changed and shifted with various patrons and directors, how things are managed. Lots of names in here- both famous and those which remained in obscurity but should be recognized for some amazing work they did contributing to the collections or their organization. What I enjoyed most were the mention of interesting specimens and their importance, or stories of collecting expeditions, but those were all so brief it just sent me online to look more stuff up, particularly for firsthand source material which might satisfy my curiosity more.
Some interesting stuff I was motivated to look up: ants that are blind and follow scent trails can get confused into marching in a circle until they die of exhaustion. Poison dart frogs born in captivity are not poisonous- scientists think that the frogs get toxins from their natural diet. Coral is used to grow new bones. There are lizard populations comprised entirely of females- and their offspring can bear young. And there was a curious dinosaur Mononykus olecranus which had oddly stunted forelimbs attached to strong muscles- scientists are not sure why.
Rating: 2/5 288 pages, 2000
This book is about behind-the-scenes stuff at the American Museum of Natural History in NY. I though it would be just my thing - I love visiting natural history museums- but it wasn't quite. It does have a lot of background stories- how different departments were developed and shuffled over the years, how the vision of the museum changed and shifted with various patrons and directors, how things are managed. Lots of names in here- both famous and those which remained in obscurity but should be recognized for some amazing work they did contributing to the collections or their organization. What I enjoyed most were the mention of interesting specimens and their importance, or stories of collecting expeditions, but those were all so brief it just sent me online to look more stuff up, particularly for firsthand source material which might satisfy my curiosity more.
Some interesting stuff I was motivated to look up: ants that are blind and follow scent trails can get confused into marching in a circle until they die of exhaustion. Poison dart frogs born in captivity are not poisonous- scientists think that the frogs get toxins from their natural diet. Coral is used to grow new bones. There are lizard populations comprised entirely of females- and their offspring can bear young. And there was a curious dinosaur Mononykus olecranus which had oddly stunted forelimbs attached to strong muscles- scientists are not sure why.
Rating: 2/5 288 pages, 2000
Mar 2, 2016
The Story of a Red-Deer
by J.W. Fortescue
It is the life of a red deer on the Exmoor. Very similar in many ways to the original Bambi- the deer grows up, meets other animals around him -the pitiable birds, traveling salmon, shuffling badger, bloodthirsty weasel, wily fox and so on. Very soon he learns to fear and avoid hounds, where to find safety and how to confuse them off his track. The deer followed through the story acts like all his kind, admiring the older males and proud of his antlers when they finally grow in, chasing the females when it is his time, battling other stags, crossing the landscape endlessly to find shelter from the weather and safety from hunters or just companionship when he desires it. The description of forest, valleys and high bare moorland is pretty good, it kept me interested. While the animals talk and live in a strict arrangement of upper- and lower-classes, most of the writing is just about their way of life, not so much personality as I found in Felix Salten's work. I think the most interesting contrasts came up when the pheasant scorned an invasive chinese bird that populated the area, and when the red deer met fallow deer which lived in paddocks and were fed by man. It was also interesting to see how the deer took up with an older stag to learn some wisdom of the woods, and when he became old in his turn, acted just as haughty and selfish (often turning other deer out of their beds to make them run before the hounds and save his own skin). In the end he was run so hard by a pack that he fell exhausted into a river and drowned. The ending did not feel sad, though- the deer seemed to have lived a full life.
I found this book in an antique shop.
Rating: 3/5 144 pages, 1904
It is the life of a red deer on the Exmoor. Very similar in many ways to the original Bambi- the deer grows up, meets other animals around him -the pitiable birds, traveling salmon, shuffling badger, bloodthirsty weasel, wily fox and so on. Very soon he learns to fear and avoid hounds, where to find safety and how to confuse them off his track. The deer followed through the story acts like all his kind, admiring the older males and proud of his antlers when they finally grow in, chasing the females when it is his time, battling other stags, crossing the landscape endlessly to find shelter from the weather and safety from hunters or just companionship when he desires it. The description of forest, valleys and high bare moorland is pretty good, it kept me interested. While the animals talk and live in a strict arrangement of upper- and lower-classes, most of the writing is just about their way of life, not so much personality as I found in Felix Salten's work. I think the most interesting contrasts came up when the pheasant scorned an invasive chinese bird that populated the area, and when the red deer met fallow deer which lived in paddocks and were fed by man. It was also interesting to see how the deer took up with an older stag to learn some wisdom of the woods, and when he became old in his turn, acted just as haughty and selfish (often turning other deer out of their beds to make them run before the hounds and save his own skin). In the end he was run so hard by a pack that he fell exhausted into a river and drowned. The ending did not feel sad, though- the deer seemed to have lived a full life.
I found this book in an antique shop.
Rating: 3/5 144 pages, 1904
Feb 29, 2016
The Trail of the Sandhill Stag
by Ernest Thompson Seton
Story about a young man who tracks a deer through the woods. Blacktail are scarce in the area (at least in the beginning of the tale) so he is excited to finally find some deer and follow their trail. Then he hears of a famously large buck and follows this particular deer each season, for many years in a row. Gradually the boy becomes just as much interested in the wildlife and scenery around him as the pursuit of the stag, so he doesn't mind staying in the woods overnight, even when his friends quit the scene and go home disgruntled and cold. He is keenly observant and learns how to read the woods; in one season takes up with a native Cree hunter who teaches him some different skills. At first he rarely catches a glimpse of the buck, finally gets close enough but looses his nerve and misses the shot. He follows the deer for several more years, determined to catch up to it again. When in the end he becomes skilled enough at reading the deer's trail and behavior to bring it to a standstill, face-to-face, he finds that his temperament towards the animal has changed, and of course cannot bring himself to kill it. Instead he admires its vitality and beauty, and lets it go to live out its life.
I don't think I'm spoiling it by telling the end, I guessed early on what the outcome would be. It's a tidy moral. There's a point during the early years when one of his friends shoots a doe and the main character has serious misgivings at witnessing the death. For most of the time after he hunted alone and spent most of it appreciating nature.
Rating: 3/5 93 pages, 1899
Story about a young man who tracks a deer through the woods. Blacktail are scarce in the area (at least in the beginning of the tale) so he is excited to finally find some deer and follow their trail. Then he hears of a famously large buck and follows this particular deer each season, for many years in a row. Gradually the boy becomes just as much interested in the wildlife and scenery around him as the pursuit of the stag, so he doesn't mind staying in the woods overnight, even when his friends quit the scene and go home disgruntled and cold. He is keenly observant and learns how to read the woods; in one season takes up with a native Cree hunter who teaches him some different skills. At first he rarely catches a glimpse of the buck, finally gets close enough but looses his nerve and misses the shot. He follows the deer for several more years, determined to catch up to it again. When in the end he becomes skilled enough at reading the deer's trail and behavior to bring it to a standstill, face-to-face, he finds that his temperament towards the animal has changed, and of course cannot bring himself to kill it. Instead he admires its vitality and beauty, and lets it go to live out its life.
I don't think I'm spoiling it by telling the end, I guessed early on what the outcome would be. It's a tidy moral. There's a point during the early years when one of his friends shoots a doe and the main character has serious misgivings at witnessing the death. For most of the time after he hunted alone and spent most of it appreciating nature.
Rating: 3/5 93 pages, 1899
Feb 28, 2016
The Searching Spirit
by Joy Adamson
This is her autobiography. I did not know much of Joy Adamson's life before this- only the details of her work with african lions, cheetahs and leopards. I first read Born Free when I was a teen, then the rest of her Elsa books, then one about a cheetah she raised, and a later book about a leopard. This book covers all that time period, but instead of discussing much experience with the animals- sensibly, as she wrote an entire book about each one- tells of publicity work that followed each successful release. I found this plenty interesting. Learned a few details about the cheetahs I hadn't known- since I've only read the first volume about Pippa and not yet its sequel. The book ends rather abruptly, just when she had acquired the orphaned leopard to raise.
But! Aside from all that putting it into context for myself. It is mostly about her childhood in Austria, how her large family estate was dissolved during war times, how she came to Africa and finally met George Adamson. His work as game warden at first unsettled her- he often had to shoot predators that were threatening people or their livestock- but she took it in stride and did her own share, I'd say- spending a large amount of time collecting specimens of plants, insects and birds to send to museums. I had forgotten that she was an accomplished artist- she tells how she first began painting indigenous plants, particularly wildflowers, and became well-known for it. She also undertook an immense project painting portraits of native tribes- men as well as women- in their traditional or ceremonial clothing, taking pains to be sure the items worn were authentic. To make a visual record of cultures that were quickly vanishing. These portraits became famous too. While accompanying George on work safaris, she often went along to search for new plants or tribesmen to paint. Sometimes went on her own travels to do so as well. The descriptions of all the various places she travelled to across Africa really intrigued me, because I found many things echoed from my prior book- Peter Beard described some of the same tribal groups and locales. Joy also tells of many adventures they had, briefly mentions some of the wild animals they rescued or raised as orphans, and describes the stress she suffered while doing hectic book tours after the astonishing popularity of Born Free.
I did not know until long after I had read her first books about the lions, that her marriage suffered a lot and she was apparently a very difficult person to get along with, perhaps even mentally ill or autistic. It's to her credit that in this book she has nothing ill to say of George, in fact she barely mentions him (perhaps that is telling). I'm very curious to read her husband's own account My Pride and Joy- and also several other biographies I've since found. But also a bit wary to do so, as I've long admired this woman for her groundbreaking work with wildlife, and I know the other books don't always show her in a positive light... Interestingly, Joy mentioned in this book that when she wrote the first account of Elsa, she was advised by a friend to avoid anthropomorphizing the lion so that people would realize she was telling the truth and take her book seriously. Perhaps that's why the account has always felt rather dry to me, just so many facts related. Still, they're incredible stories.
Rating: 3/5 244 pages, 1978
This is her autobiography. I did not know much of Joy Adamson's life before this- only the details of her work with african lions, cheetahs and leopards. I first read Born Free when I was a teen, then the rest of her Elsa books, then one about a cheetah she raised, and a later book about a leopard. This book covers all that time period, but instead of discussing much experience with the animals- sensibly, as she wrote an entire book about each one- tells of publicity work that followed each successful release. I found this plenty interesting. Learned a few details about the cheetahs I hadn't known- since I've only read the first volume about Pippa and not yet its sequel. The book ends rather abruptly, just when she had acquired the orphaned leopard to raise.
But! Aside from all that putting it into context for myself. It is mostly about her childhood in Austria, how her large family estate was dissolved during war times, how she came to Africa and finally met George Adamson. His work as game warden at first unsettled her- he often had to shoot predators that were threatening people or their livestock- but she took it in stride and did her own share, I'd say- spending a large amount of time collecting specimens of plants, insects and birds to send to museums. I had forgotten that she was an accomplished artist- she tells how she first began painting indigenous plants, particularly wildflowers, and became well-known for it. She also undertook an immense project painting portraits of native tribes- men as well as women- in their traditional or ceremonial clothing, taking pains to be sure the items worn were authentic. To make a visual record of cultures that were quickly vanishing. These portraits became famous too. While accompanying George on work safaris, she often went along to search for new plants or tribesmen to paint. Sometimes went on her own travels to do so as well. The descriptions of all the various places she travelled to across Africa really intrigued me, because I found many things echoed from my prior book- Peter Beard described some of the same tribal groups and locales. Joy also tells of many adventures they had, briefly mentions some of the wild animals they rescued or raised as orphans, and describes the stress she suffered while doing hectic book tours after the astonishing popularity of Born Free.
I did not know until long after I had read her first books about the lions, that her marriage suffered a lot and she was apparently a very difficult person to get along with, perhaps even mentally ill or autistic. It's to her credit that in this book she has nothing ill to say of George, in fact she barely mentions him (perhaps that is telling). I'm very curious to read her husband's own account My Pride and Joy- and also several other biographies I've since found. But also a bit wary to do so, as I've long admired this woman for her groundbreaking work with wildlife, and I know the other books don't always show her in a positive light... Interestingly, Joy mentioned in this book that when she wrote the first account of Elsa, she was advised by a friend to avoid anthropomorphizing the lion so that people would realize she was telling the truth and take her book seriously. Perhaps that's why the account has always felt rather dry to me, just so many facts related. Still, they're incredible stories.
Rating: 3/5 244 pages, 1978
Feb 25, 2016
The End of the Game
by Peter Beard
This is a completely different look at East Africa. Peter Beard was a photographer who lived in Kenya during the era of big game hunts, when europeans had first discovered the country and seemed to feel they could do no wrong. He was Karen Blixen's neighbor and was there during Theodore Roosevelt's safari. He saw how dramatically the country was changing as white man penetrated the land, and documented the devastation. I was prepared to be impressed by this book, but found it a bit difficult to appreciate. It leans heavily on the reader already knowing the history, dropping in quotes and descriptions without much introduction- a lot was a report of names, places, numbers which I kind of tune out after a while. Much of the prologue is presented in the form of large photos with handwritten notes superimposed- Blixen's own handwriting, or J.H. Patterson's- which is lovely and artistic with its inked line variety, but also rather hard to read.
Mostly, it shows how heedlessly europeans slaughtered big game, without realizing it would have a long lasting impact on the wildlife. Game animals were so numerous it seemed unthinkable they could become decimated. Kind of how people used to view passenger pigeons here in America... The first chapter of the book relates the first approach to the summit of Mt. Kenya. They did it to prove there was snow up there- europeans at the time scoffed at the idea of snow anywhere on the equator, much less a glacier. Native tribes in the area were devastated when they found out a man had set foot on the summit- they held the mountain to be sacred and now it was violated. The second chapter is an account of the first railroad to be built in the region and the famous man-eating lions of Tsavo that terrorized the workers and halted work on the line for months. Other sections of the book describe hunting safaris, also a time when the author accompanied a 'game control' team hired to deliberately kill as much wildlife as possible, to make room for livestock. It's an incredible book capturing a specific time period, and what it did to wildlife in Kenya. Many of the photographs are the sort you really want to pause over- men in traditional clothing, from tribes long since vanished. Animals that were the probably among the first of their kind every caught on photograph- the diminutive dik-dik poised to flee. Male antelope and elephants of a size not seen anymore, anywhere. But it's a hard one to look through as well, because most of the pictures show death and carnage. Proud men posed next to their trophies. Many, many many pictures of animal carcasses. The last forty pages are nothing but aerial images of dead elephants, their hides empty, the bones in disarray. Surprisingly, lots of these still had their large tusks intact- I assume they died of starvation, not poaching.
There are two images that really I cannot quit thinking about- one near the frontispiece of an opened elephant carcass, exposing the dead fetus, a perfect little lifeless shape. Another aerial photograph of a building, surrounded by bones arranged in perfect rows- I assume the jawbones of elephants or rhinos- and by my rough count there must have been the remains of more than two hundred animals displayed outside that home. So yeah, not a happy book. Very sobering. A bit of relief in the lively little drawings that decorate the margins- apparently done by Karen Blixen's houseboy Kamante.
Note: the book was first published in 1963. I have the revised 1988 edition which includes an introduction and afterword written by Peter Beard giving new perspective on the situation 25 years after the initial publication. One thing that disappointed me about the book was the quality of the photos- many were reproduced at such an enlarged size- filling a two-page spread- that it was all blurred. I would have preferred to see a greater number of photographs at a more decent size, easier to appreciate visually.
Rating: 3/5 288 pages, 1963
This is a completely different look at East Africa. Peter Beard was a photographer who lived in Kenya during the era of big game hunts, when europeans had first discovered the country and seemed to feel they could do no wrong. He was Karen Blixen's neighbor and was there during Theodore Roosevelt's safari. He saw how dramatically the country was changing as white man penetrated the land, and documented the devastation. I was prepared to be impressed by this book, but found it a bit difficult to appreciate. It leans heavily on the reader already knowing the history, dropping in quotes and descriptions without much introduction- a lot was a report of names, places, numbers which I kind of tune out after a while. Much of the prologue is presented in the form of large photos with handwritten notes superimposed- Blixen's own handwriting, or J.H. Patterson's- which is lovely and artistic with its inked line variety, but also rather hard to read.
Mostly, it shows how heedlessly europeans slaughtered big game, without realizing it would have a long lasting impact on the wildlife. Game animals were so numerous it seemed unthinkable they could become decimated. Kind of how people used to view passenger pigeons here in America... The first chapter of the book relates the first approach to the summit of Mt. Kenya. They did it to prove there was snow up there- europeans at the time scoffed at the idea of snow anywhere on the equator, much less a glacier. Native tribes in the area were devastated when they found out a man had set foot on the summit- they held the mountain to be sacred and now it was violated. The second chapter is an account of the first railroad to be built in the region and the famous man-eating lions of Tsavo that terrorized the workers and halted work on the line for months. Other sections of the book describe hunting safaris, also a time when the author accompanied a 'game control' team hired to deliberately kill as much wildlife as possible, to make room for livestock. It's an incredible book capturing a specific time period, and what it did to wildlife in Kenya. Many of the photographs are the sort you really want to pause over- men in traditional clothing, from tribes long since vanished. Animals that were the probably among the first of their kind every caught on photograph- the diminutive dik-dik poised to flee. Male antelope and elephants of a size not seen anymore, anywhere. But it's a hard one to look through as well, because most of the pictures show death and carnage. Proud men posed next to their trophies. Many, many many pictures of animal carcasses. The last forty pages are nothing but aerial images of dead elephants, their hides empty, the bones in disarray. Surprisingly, lots of these still had their large tusks intact- I assume they died of starvation, not poaching.
There are two images that really I cannot quit thinking about- one near the frontispiece of an opened elephant carcass, exposing the dead fetus, a perfect little lifeless shape. Another aerial photograph of a building, surrounded by bones arranged in perfect rows- I assume the jawbones of elephants or rhinos- and by my rough count there must have been the remains of more than two hundred animals displayed outside that home. So yeah, not a happy book. Very sobering. A bit of relief in the lively little drawings that decorate the margins- apparently done by Karen Blixen's houseboy Kamante.
Note: the book was first published in 1963. I have the revised 1988 edition which includes an introduction and afterword written by Peter Beard giving new perspective on the situation 25 years after the initial publication. One thing that disappointed me about the book was the quality of the photos- many were reproduced at such an enlarged size- filling a two-page spread- that it was all blurred. I would have preferred to see a greater number of photographs at a more decent size, easier to appreciate visually.
Rating: 3/5 288 pages, 1963
Feb 23, 2016
Rules of the Wild
by Francesca Marciano
Feeling adrift when her father -an Italian poet- dies, Esmé travels to Africa. She is smitten by the vast, incomprehensible beauty of Kenya and impulsively decides to ditch her travelling companion and stay. She takes up living with a safari tour guide, but falls in love with another guy who works as a war correspondent. It is a story of relationships- the ins and outs of friendships, who is with whom - a constant shuffle- for all the room in Africa, the group of European expats is so small it feels crammed with their too-close familiarity. Their widely varied reasons for being in Africa were interesting; not so much all the gossip and innuendo. The main character is kind of pathetic. She has no real reason to be there, never has a job, pines after men. And yet- although that major part of the novel did not interest me much- I found this book rather compelling. Because of the way life in Africa is described. Glimpses of wildlife and arguments on its management, race differences, third-world conditions and horrific stories of genocide in Rwanda are all background material to the story. I wish all that had been in the fore, instead. I liked the writing enough that I wanted to keep reading even though I idly forgot who was friends with whom and which person knew what about the other. I cared more for the picture of a vivid land with its struggles and squalor and beauty.
Rating: 3/5 293 pages, 1998
Feeling adrift when her father -an Italian poet- dies, Esmé travels to Africa. She is smitten by the vast, incomprehensible beauty of Kenya and impulsively decides to ditch her travelling companion and stay. She takes up living with a safari tour guide, but falls in love with another guy who works as a war correspondent. It is a story of relationships- the ins and outs of friendships, who is with whom - a constant shuffle- for all the room in Africa, the group of European expats is so small it feels crammed with their too-close familiarity. Their widely varied reasons for being in Africa were interesting; not so much all the gossip and innuendo. The main character is kind of pathetic. She has no real reason to be there, never has a job, pines after men. And yet- although that major part of the novel did not interest me much- I found this book rather compelling. Because of the way life in Africa is described. Glimpses of wildlife and arguments on its management, race differences, third-world conditions and horrific stories of genocide in Rwanda are all background material to the story. I wish all that had been in the fore, instead. I liked the writing enough that I wanted to keep reading even though I idly forgot who was friends with whom and which person knew what about the other. I cared more for the picture of a vivid land with its struggles and squalor and beauty.
Rating: 3/5 293 pages, 1998
Feb 21, 2016
In and Out of the Garden
by Sara Midda
This book portrays all that is lovely about gardening. It's full of quotes, some poetry, old-fashioned sounding recipes, remedies and other uses of garden plants all decorated with the author's exquisite artwork. I especially liked the lists of plants with brief sentences highlighting their origins or archaic uses- double-page spreads featuring herbs, fruits and vegetables respectively. Many of the illustrations have decorative borders all made out of words relating to the subject. There are reflections on gardening, a page of little sketches of gardens and landscapes, some instructionals on gardening methods and planting tips. I really wanted to enjoy it more- the watercolors are very nicely done- but the reproduction on the pages was so small I had to hold the book close to my face to read all the hand-lettered type. I really wish the book was printed in a larger format, otherwise it's a gem.
I think my favorite page (in terms of imagery) is still the one I showed on this page when I first acquired the book, featuring pea plants.
Rating: 3/5 128 pages, 1981
more opinions:
Stay at Home Bookworm
In So Many Words
This book portrays all that is lovely about gardening. It's full of quotes, some poetry, old-fashioned sounding recipes, remedies and other uses of garden plants all decorated with the author's exquisite artwork. I especially liked the lists of plants with brief sentences highlighting their origins or archaic uses- double-page spreads featuring herbs, fruits and vegetables respectively. Many of the illustrations have decorative borders all made out of words relating to the subject. There are reflections on gardening, a page of little sketches of gardens and landscapes, some instructionals on gardening methods and planting tips. I really wanted to enjoy it more- the watercolors are very nicely done- but the reproduction on the pages was so small I had to hold the book close to my face to read all the hand-lettered type. I really wish the book was printed in a larger format, otherwise it's a gem.
I think my favorite page (in terms of imagery) is still the one I showed on this page when I first acquired the book, featuring pea plants.
Rating: 3/5 128 pages, 1981
more opinions:
Stay at Home Bookworm
In So Many Words
Feb 20, 2016
Strong for Potatoes
by Cynthia Thayer
I read this book through to the end just because I was curious how it all turned out, but in spite of the strong themes it left me kind of unmoved. It's about a young woman growing up on the edge of a reservation in Maine, her troubled family and her part-native heritage, Passamaquoddy. I think the reason this book didn't really move me was because it had so many things going on. The girl's life is a constant struggle- her mixed heritage makes her an outcast at school, an accident when she was very young left her disabled, her parents are estranged and she witnesses a secret incident that reveals everything. She spends a lot of time with her grandfather who teachers her some woodscraft, how to track deer, and sets her up to learn traditional basketmaking from a tribal member; she gets good enough at this to find her own artistic style and some income. But mostly, really, the story is about her confused unfolding awareness of sexulity, how her best childhood friend falls in love with her but she finds she really loves someone else. It's about teen pregnancy and divided family secrets, and old buried pain. And facing death. All of which would make a good story, if they were presented with any depth. I felt like the book should have been twice as long... I wish I had felt more for the main character, she really went through a lot and finally discovered her own strengths and found out how to love, but I just wasn't given enough to know and care about her. The story moves quickly through her teen years, starting college and into young adulthood- too quickly, too brief. Others have really liked it, though. Just not me. I would have liked to read more about the native customs. So many things were barely touched on.
Rating: 2/5 248 pages, 1998
I read this book through to the end just because I was curious how it all turned out, but in spite of the strong themes it left me kind of unmoved. It's about a young woman growing up on the edge of a reservation in Maine, her troubled family and her part-native heritage, Passamaquoddy. I think the reason this book didn't really move me was because it had so many things going on. The girl's life is a constant struggle- her mixed heritage makes her an outcast at school, an accident when she was very young left her disabled, her parents are estranged and she witnesses a secret incident that reveals everything. She spends a lot of time with her grandfather who teachers her some woodscraft, how to track deer, and sets her up to learn traditional basketmaking from a tribal member; she gets good enough at this to find her own artistic style and some income. But mostly, really, the story is about her confused unfolding awareness of sexulity, how her best childhood friend falls in love with her but she finds she really loves someone else. It's about teen pregnancy and divided family secrets, and old buried pain. And facing death. All of which would make a good story, if they were presented with any depth. I felt like the book should have been twice as long... I wish I had felt more for the main character, she really went through a lot and finally discovered her own strengths and found out how to love, but I just wasn't given enough to know and care about her. The story moves quickly through her teen years, starting college and into young adulthood- too quickly, too brief. Others have really liked it, though. Just not me. I would have liked to read more about the native customs. So many things were barely touched on.
Rating: 2/5 248 pages, 1998
Feb 18, 2016
The Dirt Riddles
by Michael Walsh
I don't usually read poetry, so I don't quite know what to say about this. The poems describe moments from life on a dairy farm. Much more vivid and contemplative than the last book I read. Although it doesn't really contain a narrative, and I couldn't always visualize exactly what the poet was relating, something about it made me want to go back and read the poems again. To slide into the depth between the words, to look sideways and see something more clearly. So I guess it was successful.
Rating: 3/5 74 pages, 2010
I don't usually read poetry, so I don't quite know what to say about this. The poems describe moments from life on a dairy farm. Much more vivid and contemplative than the last book I read. Although it doesn't really contain a narrative, and I couldn't always visualize exactly what the poet was relating, something about it made me want to go back and read the poems again. To slide into the depth between the words, to look sideways and see something more clearly. So I guess it was successful.
Rating: 3/5 74 pages, 2010
Feb 17, 2016
Jim the Boy
by Tony Earley
This is a really quiet book. Dull, even. I picked it up secondhand somewhere, because the comparisons caught my eye- blurbs in the first pages compared it to The Yearling and To Kill a Mockingbird. Um, no. It's not anywhere close to those. In my mind it felt similar to The Red Pony, but flat. And no pony, of course. Well- Jim the Boy is about a farm kid in North Carolina. It's got the homey small town feeling, but although there are hints that the story is set in the Great Depression, there's not much sense of hardship. The boy's father died just before he was born and he grows up among his uncles. At the end of the book finally travels up the mountain to meet his father's folks. In between he helps in the fields, watches the train go through town, sees electricity arrive, adjusts to a new and larger school, makes friends out of a rival, etc. Probably the biggest events in the book were things to do with the train, baseball games between the kids, and when his friend fell ill with polio. All rather downplayed. Stories Jim is told of the town's history and his family's past were more interesting than anything which happened to Jim himself. I did like the writing in many parts, the word crafting was often picturesque, but the characters just didn't come alive for me. In the end I realized that although there is a sequel I have no desire to look for it.
Rating: 2/5 239 pages, 200
more opinions:
Sycorax Pine
BookNAround
Maggie Reads
Bonnie's Books
This is a really quiet book. Dull, even. I picked it up secondhand somewhere, because the comparisons caught my eye- blurbs in the first pages compared it to The Yearling and To Kill a Mockingbird. Um, no. It's not anywhere close to those. In my mind it felt similar to The Red Pony, but flat. And no pony, of course. Well- Jim the Boy is about a farm kid in North Carolina. It's got the homey small town feeling, but although there are hints that the story is set in the Great Depression, there's not much sense of hardship. The boy's father died just before he was born and he grows up among his uncles. At the end of the book finally travels up the mountain to meet his father's folks. In between he helps in the fields, watches the train go through town, sees electricity arrive, adjusts to a new and larger school, makes friends out of a rival, etc. Probably the biggest events in the book were things to do with the train, baseball games between the kids, and when his friend fell ill with polio. All rather downplayed. Stories Jim is told of the town's history and his family's past were more interesting than anything which happened to Jim himself. I did like the writing in many parts, the word crafting was often picturesque, but the characters just didn't come alive for me. In the end I realized that although there is a sequel I have no desire to look for it.
Rating: 2/5 239 pages, 200
more opinions:
Sycorax Pine
BookNAround
Maggie Reads
Bonnie's Books
Feb 15, 2016
Going to Extremes
by Joe McGinnis
Written by a reporter who travelled across Alaska just before and after the oil pipeline went through, this book had a lot of interesting descriptions but ultimately failed to hold my attention. The author definitely covered a lot of ground. He took a ferry up from Seattle and then visited Anchorage, Prudhoe Bay, Barrow, Nome, Juneau, Bethel, Valdez and Bettles. He spent a few weeks in each location, usually staying with locals. To get a sense of the wilderness and isolation he stayed three days alone in a cabin on Crescent Lake, and at the end of the book describes an extended group hiking trip through the Brooks Range. Most of his account tells of the communities, scattered stories of individuals- how they ended up in Alaska, why they loved or hated it there, all the troubles and joys people found living in such a difficult place. A lot of it sounded dismal, to be honest. Sudden population growth, sudden money, cold and dark and nothing to do but waste it- drinking and violence and depression and suicide. I was much more interested in his descriptions of life in a few remote native villages, but that chapter wasn't very long. The parts about government and small town politics were only interesting to a point- I found myself skimming a lot. Best chapter was the last one, about the Brooks Range and his final encounters (after hearing many stories) with grizzly bears.
Rating: 2/5 285 pages, 1980
Written by a reporter who travelled across Alaska just before and after the oil pipeline went through, this book had a lot of interesting descriptions but ultimately failed to hold my attention. The author definitely covered a lot of ground. He took a ferry up from Seattle and then visited Anchorage, Prudhoe Bay, Barrow, Nome, Juneau, Bethel, Valdez and Bettles. He spent a few weeks in each location, usually staying with locals. To get a sense of the wilderness and isolation he stayed three days alone in a cabin on Crescent Lake, and at the end of the book describes an extended group hiking trip through the Brooks Range. Most of his account tells of the communities, scattered stories of individuals- how they ended up in Alaska, why they loved or hated it there, all the troubles and joys people found living in such a difficult place. A lot of it sounded dismal, to be honest. Sudden population growth, sudden money, cold and dark and nothing to do but waste it- drinking and violence and depression and suicide. I was much more interested in his descriptions of life in a few remote native villages, but that chapter wasn't very long. The parts about government and small town politics were only interesting to a point- I found myself skimming a lot. Best chapter was the last one, about the Brooks Range and his final encounters (after hearing many stories) with grizzly bears.
Rating: 2/5 285 pages, 1980
Feb 11, 2016
From the Orange Mailbox
Notes from a Few Country Acres
by Arley Carmen Clark
Very nice book written by a teacher and avid gardener. It appears to be a collection of articles she wrote for a weekly column, arranged here by the seasons. Each essay is only a few pages, so it's the kind of book you can dip in and out of easily when you have a short break from something. In a practical, friendly voice the author describes her work in the garden, her leisurely swims in the pond among turtles and loons, hunting bugs with visiting grandchildren, the doings of a various succession of household dogs, musings on the richness of life and reflects on all things around her. She discusses education (retiring from teaching in about the middle of the book) and bemoans the tangled mess of doing taxes. Mostly it is a book about living life well, observing and enjoying nature, and learning by experimentation how to manage a large home garden. I took a few notes on methods to try with plants, and the recipes she shares sound so good, I'm determined to try a few myself.
Rating: 4/5 273 pages, 1985
by Arley Carmen Clark
Rating: 4/5 273 pages, 1985
Feb 9, 2016
TBR 59
You all know what this is! More books I want to read someday...
Beyond Words by Carl Safina- So Many Books
The Golden Age by Jane Smiley- Caroline Bookbinder
Frozen Wild by Jim Arnosky- Bookfoolery
Ghost Boy by Martin Pistorius- Farm Lane Books Blog
The Great Typo Hunt by Jeff Deck- Book Chase
One Plus One Equals Blue by M.J. Auch- Puss Reboots
The Big Tiny by Dee Williams
Fates and Furies by Lauren Groff- James Reads Books
Brooklyn by Colm Toibin- Bermudaonion's Weblog
Pnin by Vladimir Nabokov
Blackass by Igoni Barrett- Farm Lane Books Blog
Pigs in Clover by Simon Dawson-
The Midnight Folk by John Masefield
The Bone Woman by Clea Koff- Ardent Reader
Whitetail Savvy by Leonard Lee Rue
Whitetail Spring by John J. Ozoga
Bear by Marian Engle- Jules' Book Reviews
The Man Who Planted Trees by Jean Giono- A Work in Progress
The Small Heart of Things by Julian Hoffman- So Many Books
Fools Crow by James Welch- Shelf Love
Forgotten by Time by Robert Silverberg
Salamanders and Other Wonders by Will Lea
Lost and Vanishing Birds by Charles Dixon
Beyond Words by Carl Safina- So Many Books
The Golden Age by Jane Smiley- Caroline Bookbinder
Frozen Wild by Jim Arnosky- Bookfoolery
Ghost Boy by Martin Pistorius- Farm Lane Books Blog
The Great Typo Hunt by Jeff Deck- Book Chase
One Plus One Equals Blue by M.J. Auch- Puss Reboots
The Big Tiny by Dee Williams
Fates and Furies by Lauren Groff- James Reads Books
Brooklyn by Colm Toibin- Bermudaonion's Weblog
Pnin by Vladimir Nabokov
Blackass by Igoni Barrett- Farm Lane Books Blog
Pigs in Clover by Simon Dawson-
The Midnight Folk by John Masefield
The Bone Woman by Clea Koff- Ardent Reader
Whitetail Savvy by Leonard Lee Rue
Whitetail Spring by John J. Ozoga
Bear by Marian Engle- Jules' Book Reviews
The Man Who Planted Trees by Jean Giono- A Work in Progress
The Small Heart of Things by Julian Hoffman- So Many Books
Fools Crow by James Welch- Shelf Love
Forgotten by Time by Robert Silverberg
Salamanders and Other Wonders by Will Lea
Lost and Vanishing Birds by Charles Dixon
Feb 7, 2016
The Auk, the Dodo and the Oryx
Vanished and Vanishing Creatures
by Robert Silverberg
This book from the late sixties is about animals that had recently (in the last few hundred years- within human memory) gone extinct, or were presently in danger of extinction. It is a brief examination of what pushed these animals to the brink- usually a low reproduction rate, lack of defenses against introduced predators and unrestrained hunting by mankind. Extinct species discussed include numerous birds: the dodo, moa, passenger pigeon, heath hen, great auk and a few others. Mammals noted are the steller's sea cow, quagga, aurochs and giant ground sloth. There are also lots of animals in the book that were at the time at serious risk. Happy to say, at present time most of these are in still with us: giant panda, california condor, whooping crane, trumpeter swan, java rhino, cahow (a kind of petrel), przewalski's horse, nene (Hawaiian goose), pére david's deer, oryx. Sadly, attention to protection and conservation measures were not soon enough for others- at the time of his writing, java tigers were still around, so was the ivory-billed woodpecker. Now assumed extinct.
There were lots of details in here I never knew before about the fate of passenger pigeons. Descriptions of unfamiliar animals (takahe and moho birds of Hawaii) sent me to the internet numerous times to learn more about them. Did you know that there used to be nine distinct species of moa, ranging in size from the giants twelve feet tall (all I knew of before this book) to the size of the kiwi (only one left extant)? or that dodos were related to pigeons? Mostly I was baffled by the reactions of people in the 1800's when they realized an animal was on the verge of extinction- not a rush to try and save it, but to obtain a specimen for their museum, or just to have the honor of shooting one. Who takes pride in being the person who killed one of the last of a kind? It makes me angry to think of.
Funny, the cover I found to show (my edition has a pretty drab one) has the words of the title in a different order.
Rating: 3/5 246 pages, 1967
by Robert Silverberg
This book from the late sixties is about animals that had recently (in the last few hundred years- within human memory) gone extinct, or were presently in danger of extinction. It is a brief examination of what pushed these animals to the brink- usually a low reproduction rate, lack of defenses against introduced predators and unrestrained hunting by mankind. Extinct species discussed include numerous birds: the dodo, moa, passenger pigeon, heath hen, great auk and a few others. Mammals noted are the steller's sea cow, quagga, aurochs and giant ground sloth. There are also lots of animals in the book that were at the time at serious risk. Happy to say, at present time most of these are in still with us: giant panda, california condor, whooping crane, trumpeter swan, java rhino, cahow (a kind of petrel), przewalski's horse, nene (Hawaiian goose), pére david's deer, oryx. Sadly, attention to protection and conservation measures were not soon enough for others- at the time of his writing, java tigers were still around, so was the ivory-billed woodpecker. Now assumed extinct.
There were lots of details in here I never knew before about the fate of passenger pigeons. Descriptions of unfamiliar animals (takahe and moho birds of Hawaii) sent me to the internet numerous times to learn more about them. Did you know that there used to be nine distinct species of moa, ranging in size from the giants twelve feet tall (all I knew of before this book) to the size of the kiwi (only one left extant)? or that dodos were related to pigeons? Mostly I was baffled by the reactions of people in the 1800's when they realized an animal was on the verge of extinction- not a rush to try and save it, but to obtain a specimen for their museum, or just to have the honor of shooting one. Who takes pride in being the person who killed one of the last of a kind? It makes me angry to think of.
Funny, the cover I found to show (my edition has a pretty drab one) has the words of the title in a different order.
Rating: 3/5 246 pages, 1967
Feb 3, 2016
Faith in a Seed
by Henry David Thoreau
This volume compiles some nature writings Thoreau did late in life, which were published after his death. The book contains "The Dispersion of Seeds" and parts of manuscripts titled "Wild Fruits", "Weeds and Grasses" and "Forest Trees." It's a lovely and tedious read at the same time. Thoreau was intensely interested in plant life around Concord and made meticulous observations about how plants were naturally distributed. Most of the book details how seeds are spread by the weather and/or wild animals, the resulting patterns of growth, what types of habitat different seeds find favorable, and most interestingly, the reasons why pine woods are succeeded by oaks and oaks again by pines, if all the trees are cut down. I was surprised to read about how many years seedlings would grow up again after being cut down- eaten by rabbits, mown over, etc- some young trees he dug up and measured were spindly little things above the surface, but underground the taproot often proved to be five, seven, ten-plus years old. Tenacious things, trees. They just keep sending up new life!
While I find the subject matter pretty interesting and Thoreau's writing more accessible than I had expected (I've struggled twice to get through 'Civil Disobedience' which is the opening chapter to my volume containing 'Walden', and failed) at the same time the lists of plants and brief descriptions of how this seed is shaped, how it falls, where it falls, what percentage of it comes up in what part of the woods etc etc can get to be really dry. It has been my go-to-sleep book for a week- a week that felt really long. I'm glad I read it, I admire the work that went into it, but I'm not sure if I will deliberately read it again.
I was also pleasantly surprised at how modern-sounding Thoreau's voice is. Yet certain details distinctly reminded me that I was reading the words of a man who lived in another era. He often proclaimed things from scientific circles that have long since been proven otherwise. Was very skeptical of accounts of seeds being recovered from old sites and successfully germinated after tens or hundreds of years- discredited them entirely. And every now and then casually mentioned the numerous pigeons that fed on certain seeds or fruits. I wondered at this for a bit, then a mention of them flying off elsewhere to be shot in great numbers made me realize: he was speaking of the passenger pigeon! Which is now extinct.
Note: the book was compiled and published in 1993, Thoreau actually wrote the studies between 1856 and 1861. There are extensive notes in the back of the book describing how the writings were compiled, identifying quotations, individuals or incidents Thoreau mentioned, and making note of where his self-editing was unclear (passages he might have meant to delete or insert in different places, etc.)
Rating: 3/5 283 pages, 1993
This volume compiles some nature writings Thoreau did late in life, which were published after his death. The book contains "The Dispersion of Seeds" and parts of manuscripts titled "Wild Fruits", "Weeds and Grasses" and "Forest Trees." It's a lovely and tedious read at the same time. Thoreau was intensely interested in plant life around Concord and made meticulous observations about how plants were naturally distributed. Most of the book details how seeds are spread by the weather and/or wild animals, the resulting patterns of growth, what types of habitat different seeds find favorable, and most interestingly, the reasons why pine woods are succeeded by oaks and oaks again by pines, if all the trees are cut down. I was surprised to read about how many years seedlings would grow up again after being cut down- eaten by rabbits, mown over, etc- some young trees he dug up and measured were spindly little things above the surface, but underground the taproot often proved to be five, seven, ten-plus years old. Tenacious things, trees. They just keep sending up new life!
While I find the subject matter pretty interesting and Thoreau's writing more accessible than I had expected (I've struggled twice to get through 'Civil Disobedience' which is the opening chapter to my volume containing 'Walden', and failed) at the same time the lists of plants and brief descriptions of how this seed is shaped, how it falls, where it falls, what percentage of it comes up in what part of the woods etc etc can get to be really dry. It has been my go-to-sleep book for a week- a week that felt really long. I'm glad I read it, I admire the work that went into it, but I'm not sure if I will deliberately read it again.
I was also pleasantly surprised at how modern-sounding Thoreau's voice is. Yet certain details distinctly reminded me that I was reading the words of a man who lived in another era. He often proclaimed things from scientific circles that have long since been proven otherwise. Was very skeptical of accounts of seeds being recovered from old sites and successfully germinated after tens or hundreds of years- discredited them entirely. And every now and then casually mentioned the numerous pigeons that fed on certain seeds or fruits. I wondered at this for a bit, then a mention of them flying off elsewhere to be shot in great numbers made me realize: he was speaking of the passenger pigeon! Which is now extinct.
Note: the book was compiled and published in 1993, Thoreau actually wrote the studies between 1856 and 1861. There are extensive notes in the back of the book describing how the writings were compiled, identifying quotations, individuals or incidents Thoreau mentioned, and making note of where his self-editing was unclear (passages he might have meant to delete or insert in different places, etc.)
Rating: 3/5 283 pages, 1993
Feb 2, 2016
deer crossing
Yesterday my youngest pestered me to do a puzzle with her. She quit as soon as the border was assembled but I kept going. Even though this is another cheap papercity puzzle, I found I rather liked it. There's enough texture and color going on, and avoiding use of the box picture as a reference made it just challenging enough. 500 pieces.
I miss reading however. Too many other projects lately and my current book is one of those put-yourself-to-sleep kind of reads. I like it, but it's tedious. I hope to finish it soon and get to something a bit more enjoyable.
I miss reading however. Too many other projects lately and my current book is one of those put-yourself-to-sleep kind of reads. I like it, but it's tedious. I hope to finish it soon and get to something a bit more enjoyable.
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